Wild Strawberries

I've ne'er been often of an Ingmar Bergman fan, just I have respect for much of his exploit. Wild Strawberries is the notable exception, often hailed as his best or second-best work (after The Seventh Seal). I honestly think it's sub-par, irresistibly oppresive in its obvious imagery -- crucifixion motifs and non sequitur dream sequences -- to the point where a legion of film students have been prompted to copycat its overt heavy-handedness for half a c. In fact, I keep thinking around The Big Picture, where the photographic film students accept produced such ultra-sensitive tripe but line up heaps of praise piled upon them anyway. Presumably, the audience is stunned that it can understand the filmic metaphors they have created, and therefore, they moldiness be genius.

Wild Strawberries is exactly this type of film, a short simply often unbearable production around an ancient doctor wrestling with a death that is exactly around the corner. He ends up on a road trip, filled with false starts, wrong turns, and fantastical dream/fantasy sequences, all designed for him to present death and question the existence of God. But nothing is really questioned, it is simply presented as barren and tight, with our hero facing the inevitableness of a void in lieu of the hereafter. The plastic film does non provoke whatsoever questions or debate almost either death or God.


And it comes off as if Bergman ne'er really wants this anyhow. We ar instead invited to notice how clever the film is, what with its clocks with no hands (oooooh, that's deep) and ominous shoetree branches to spook us. But it's not apt. It's obvious. And in the end, it's meaningless.


I've seen Wild Strawberries several times, nigh recently on the newfangled Criterion DVD, which cleans up the transfer and provides a commentary. As expected, that commentary track, offered by one of those pundits (Bergman crony J�rn Donner) who is far also familiar with Bergman's go, is well-nigh pathetic in the path it fawns over Bergman, offering praise for every scene (and every scene of each scene), no matter how mundane it is. In a single sequence, he fawns over the unornamented lighting on a woman's face as subtle and then goes on to state that no one can write dialogue as well as Bergman. He talks about having a meal with a venial actor in the film, a word that lasts for several minutes. And of line, all of this sounds as if it is take, not offered offhand, meticulously plotted well in advance. It's an whole ridiculous addition to a ridiculous movie.


Let the hate mail begin!


Aka Smultronst�llet.

Download Beto Y Sus Canarios mp3

Artist: Beto Y Sus Canarios: mp3 download    Genre(s):  Latin     Discography:      Esto Si Es Tierra Caliente    Year: 2005    Tracks: 12      Ardientes    Year: 2005    Tracks: 12      100% Tierra Caliente    Year: 2004    Tracks: 15 The versatile norteño band Beto y Sus Canarios were formed in 1987 in Huetamo Michoacan, Mexico, sometimes called the Tierra Caliente. Musical film director Gabino Garcia approached Edilberto Portillo with the bringing close together former that year and the 2 went to work auditioning and recruiting members, remission on musicians world Health Organization had non been in whatever type of melodic mathematical group earlier theirs. It took the ensemble seven months of rehearsal and organization before they began playing for biotic community events and social gatherings. Early recordings generated local hits that became regional hits. Songs like "Mi Ultimo Contrabanda" and "Carga Fina" caught the ear of audiences outside of Mexico, and the radical was before long offered opportunities to journey and perform end-to-end the States. Beto y Sus Canarios continued to record and turn throughout the '90s. A xII albums later, they in the goal made their stigma on the recording industry in 2002 with their breakthrough album, Mi Despedida. The record situated on Billboard's Top Latin Albums graph at number 65, with the hit single "Mi Derrota" making waves in several Latin categories. With seven-spot major releases since then, including Ardientes and Contigo por Siempre, all of which were met with critical acclaim and hefty gross revenue, the mathematical group has remained a stiff comportment on the charts and the Mexican music scene.

The Mighty Bop

   
Artist: The Mighty Bop

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Discography:


   
 The Mighty Bop - Feat. Duncan Roy

   Year: 2002   
Tracks: 11

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